A Jewish mother, a jeweled bra, and the Good Witch of the OR propel Rachel Redleaf's seriously comic, comically serious one-woman show.
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Theater Review (NYC): ‘Urinetown’ at the Secret Theatre
The Secret Theatre is back and as good as ever with its first adult musical since the pandemic.
Read More »Theater Review (NYC Fringe): ‘Brokeneck Girls: The Murder Ballad Musical’
A tongue-in-cheek meta-fable with music and a serious message offers a fresh take on murder ballads and the battles of the sexes.
Read More »Theater Review (NYC): ‘Herself’
Kathleen Simmonds burns up the stage as a prodigal daughter who shakes things up on her return to the family's Irish pub after a family tragedy.
Read More »Theater Review (NYC): ‘Leni’s Last Lament’ – A Leni Riefenstahl Historical Cabaret
A cabaret-style show brings to life the barrier-smashing female director who was also an infamous filmmaker for the Nazis.
Read More »Theater Review (NYC): Misha Shulman Flips the Story of Exodus, Kathakali-Style, in ‘Pharaoh’
Misha Shulman uses the physical storytelling style of Kerala, India to explore the story of Exodus from Pharaoh's point of view.
Read More »Theater Review (NYC): ‘The Masque of Night’ – a Romeo and Juliet Cabaret
Whittled-down Shakespeare and songs from modern times turn the romantic tragedy into an intimate piece of living-room theater.
Read More »Theater Review (NYC): An All-Woman Submarine Crew’s ‘Maiden Voyage’
A prideful captain leads the first all-female U.S. Navy submarine patrol in a gripping new play about strengths, weaknesses, and gender roles.
Read More »Theater Review (NYC): ‘On Set with Theda Bara,’ a Solo Show by Joey Merlo Starring David Greenspan
A modern-day genderqueer teen tracks down the ghost of silent film star Theda Bara in this whirlwind gothic-noir-camp solo show.
Read More »Theater Review (NYC): The Excruciatingly Brilliant ‘Bark of Millions,’ A Queer Rock-Opera Happening
Taylor Mac and Matt Ray's musical drag extravaganza honors millennia of queer history.
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